If you caught this year’s Walter Harding lecture by Prof. Pier Gabrielle Foreman, “To Speculate Darkly: Slavery, Black Visual Culture, and the Promises and Problems of Print,” you may be interested in visiting the website of the art exhibit from which the lecture’s title is drawn.
To Speculate Darkly: Theaster Gates and Dave the Potter was an exhibit hosted by The Milwaukee Art Museum in 2010.
Chicago-based artist Theaster Gates explains the origins and aims of the exhibit in this video on his website. As Gates explains, the exhibit
explores the history and legacy of Dave Drake (also known as Dave the Potter). A slave in antebellum South Carolina, Drake produced stoneware pottery and famously adorned his pots with poetic couplets. Though historians and art historians have explored Drake’s career in detail, Gates is the first artist to reinterpret his work and to make it pertinent to a broader set of concerns about the place of labor and craft in present-day America. The exhibition’s provocative installation, titled To Speculate Darkly: Theaster Gates and Dave the Potter, features a gospel choir that engages the enigmatic, emotional works of poetry found on Drake’s pots. Gates created the captivating sound piece with musicians from both Milwaukee and Chicago. Gates further collaborated with local tradespeople to develop original ceramic works for the show. Thus, the project, as intended, has brought together two very different groups of people in partnership, and promises to create lasting relationships across the city.
Here are some news items that seem relevant to our recent conversations about Marx. Use the comments to add items of your own.
We’re still a couple of weeks out from Henry David Thoreau on the HUMN 221-09 Fall 2015 syllabus, but when we get there, it won’t be hard to find an example of HDT in the news. In a combative article titled “Pond Scum,” New Yorker writer Kathryn Schulz wants to know, “Why, given his hypocrisy, sanctimony, and misanthropy, has Thoreau been so cherished?”
It will be interesting to compare our reading of Walden and “Resistance to Civil Government” to hers.
There are many differences between Donald Trump and Denis Diderot’s character “Lui” — “Him” in English — the eponymous interlocutor of “Moi” (“I”) in Rameau’s Nephew, but perhaps there are also some similarities. Read this article about Trump and judge for yourself.
In HUMN 221-09 this week, we’re turning to Rameau’s Nephew, a philosophical dialogue written by a major Enlightenment figure, Denis Diderot.
Just in time for our discussion comes a riveting combination of historical research, philosophy, and personal confession that simultaneously provides some useful background on the Enlightenment, exemplifies a style of writing that the Enlightenment helped create, and asks us to consider what this pivotal Western intellectual movement may have owed to non-Western influences.
Alison Gopnick’s “How an 18th-Century Philosopher Helped Solve My Midlife Crisis: David Hume, the Buddha, and a search for the Eastern roots of the Western Enlightenment” appears in the October issue of The Atlantic.
We began the semester with some conversation about what distinguishes the humanities from the natural sciences. The philosopher Simon Critchley recently spoke to this question in a piece for The Stone, the New York Times’ philosophy blog.
It’s worth checking out.